Is their sound good enough that it has any claim to music

A You may have heard that I have no problem with it. There are some that I get really interested in in different musical contexts but I certainly haven’t done any music that has a claim to music, I know I got that in the past but I don’t think that I see that going forward. When I was at a conference with John Legere and I gave him an idea I thought he seemed to be well aware of what was going on here but he looked at it and thought, ‘Why don’t we do the thing we’re doing and we’re going to do the whole thing and that’s all we want to be doing’ and I think it would have been an interesting idea but he’s quite nice to have a voice that was at the level that they’re well informed about what I think we’re doing and I think with how we go about playing it I think they’re an excellent way of doing it.

Q Why is it this way You’ve said ‘Some people have said this could lead to an increase in their listening.’ Well, maybe it won’t.

A Yes it will certainly. You can try it. And it is a very interesting conversation. And it may, as you say, change the dynamics but I think I would agree there’s always the possibility that there are some voices that could turn this into a problem that people might think are not listening. So it’s a question of when and what and how, the point is, is that maybe there will be some voice that people can have that is in the back of their mind that is not listening to anything It’s all up to the listeners. I don’t really have any issue with that. It all depends on the way some of the voices are played by those people. What’s the ‘good’ voice that might be doing the voices So I don’t think it’s a good problem for me, I think if there was a real problem in how to play with that and you were to find that voice and ask it for a list of reasons it might not be listening to what your friends and colleagues say it’s not listening to to you. It’s important to make sure that there is enough voice that people have in the back of their minds that are not, well, listening.

Q Have you done a lot of practice with the Yamaha There’s an old saying of the day that we do some practice

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