It is, we really don’t know. But I think it must be a matter of doing it, because of a very simple reason that this is a little hard at first, because it’s just a little challenging at first.

So if you’re not doing it at all, then what is the best way to do it

It’s really an endless process. And that’s really interesting.

You talk about learning an instrument so you can do the next thing.

It really is an impossible process.

And I think the most interesting thing you have to do is really develop a relationship with your audience. You learn to tell a story with your audience.

When we began it was all about what music is best, what makes an audience listening. Now it is a question of doing more music.

If you’re doing it in a theater, say theater, then how do you teach your audience

When you do a book, it’s all about finding that song and then you teach the listeners to sing that song.

Well, I’ve been going to a couple of festivals, too…

There’s a book called ‘Famous People and the Devil’s Angels’ where you talk about who your characters are.

And that was actually on the second album, but I was just writing ‘My Story’, and I’m like, ‘Ah, I’ve been writing music since day one. What I’ve learned that I didn’t know about.’

I’ve tried the songs on ‘Piano Solo’ and ‘Falling In Love’.

I always try really hard to keep the songs in the same form, but there are ways to play them in different ways on the same song. You can see it in the music on the record.

For example ‘Mama Don’t Lie’, which I loved because it was so good and it was always there and so beautiful. You could tell by the way the melody seemed to me to be going out to try and get into the rhythm of it, but ‘Mommy Don’t Lie’ was the one to put me into the rhythm of it.

And I wrote ‘The Devil’s Angels’ it was a really fun song… and that was something I learned about myself, and I learned how to write. To be able to find melodies in other music, with other musical ideas.

And as a musician, what I really loved about ‘The Devil’s Angels’

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